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Author: ‘Into The Peatlands’ (2018), ‘Cauld Blasts and Clishmaclavers’ (2020).

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Unique wrapped editions of ‘Into The Peatlands’
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Unique wrapped editions of ‘Into The Peatlands’

9A5237E0-751C-4910-940A-317882CED6FE — Unique Wrapped and Signed 1st Editions

BDA69CBA-AD00-448C-B13A-03D36AFAB49A — Peat Slab Red

4831B721-30AD-4541-8F09-5D738A38444A — Peat Brown Tea

90840FFE-C60E-4F6E-8554-4D1181EBF4FD — Peat Stacks

BA909EFD-EA73-4108-AC44-C7A3BBD9D2E5 — MacBeth’s Witches Moor

7E3A046D-EE29-4140-B132-C7BBAD643A0E — WW1 Centenary 11 Nov 2018

2809F335-B09B-44C7-BD37-1622C25CCCE2 — Rannoch Brindled Beauty Moth

C3565DB5-9562-4D8B-BD96-15075AA1CF91 — Peat Slab Grey

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21BD6C53-3128-40DD-9FBC-F19C663FEF65 — Stack of unique wrapped and signed 1st editions

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Stacks

Machir Bay, Islay

Transition

from raised bog to land

Underground entrance, Glenshee (valley of the fairy folk).

Looking into a Flanders Moss pool.

Sphagnums

Cutting the peats.

in Gaelic- buin na monadh- literally 'take away from the moor'.

Kitchen scene, Inveroran Inn 1803

"About seven or eight travellers, probably drovers with as many dogs, (they) were sitting in a complete circle round a large peat-fire in the middle of the floor, each with a mess of porridge, in a wooden vessel, upon his knee: a pot suspended from one of the black beams, was boiling on the fire; two or three women pursuing their household business on the outside of the circle, children playing on the floor. There was nothing uncomfortable in this happy confusion: happy, busy or vacant faces, all looked pleasant; and even the smoky air , being a sort of natural indoor atmosphere of Scotland, served only to give a softening, I may say harmony, to the whole." Dorothy Wordsworth, 'Recollections of a Tour Made in Scotland, 1803' ed. Shairp, J.C. Edinburgh 1874 p.183